Picturing the Chinese

Picturing the Chinese

This book documents photographs taken by Westerners in China during the latter 19 th Century. These images provide evidence for a particular way of visualizing and were intended mainly for the foreign Western market at a period when Asia became a fascinating source of exotic and curious culture, fine porcelain and silks, and tea.

My subsequent project, “21 st Century Types”, is inspired by research material carried out for my former “Picturing the Chinese” (which is presently out of print).

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Exhibition

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Books

This project has appeared in two books; How We Are: Photographing Britain and When Photography Really Works, both by Val Williams.

Press

This project appeared in various publications.
View press clippings

New 2019 Press Release

Portraits In a Chinese Studio

Published April 2019

Edited by Val Williams
Essay by Shirley Read
Published by Parakeet Books

Softback, 8 page cover
144 pages / 85 photographs
Design by Dean Pavitt

ISBN 978-1-5272-2793-4

Pre Order
Books can be purchased online from Bell’s Bicycles
£25 inc postage & packing
Pre-ordered copies will be dispatched after 2 May 2019.

Special limited edition of 10 
Signed copy of the book in a presentation case with two signed 10×10 inch prints. £200

In the summer of 2005, photographer Grace Lau set up a portrait studio on Hastings seafront. The studio was on a busy route, a few doors away from the Iceland store and the former Borough Parking Office and on the main route into the tourist draw of Hastings Old Town. Over six weeks, she made 400 photographs; everyone who posed received a free digital print. She called her project 21st Century Types and the photographs speak volumes about the way we see ourselves and the way we are seen.

‘Through this project’, Lau wrote recently, ‘I am making an oblique comment of Imperialist visions of the ‘exotic’ Chinese and by reversing roles, I have become the Imperialist photographer documenting my exotic subjects in the ‘Port’ of Hastings… I played the formal photographer, asking them to sit still and look serious while I fussed with focusing and waited for the right shutter second. I also asked them to keep their accessories in the pose, their sunglasses, coke bottles, ice cream, mobiles, souvenirs, sunhats, supermarkets plastic bags…. all this added a contemporary layer to my old-fashioned studio, compressing history and the present into one eclectic image.’

These rich, many layered opulent portraits, made in a community centre on a scruffy seafront, by a Chinese-born feminist photographer, more used to portraying the fetish underworld than families with ice creams, are a monument to place, race, people and the passing of time. Acting the part of the stern Chinese studio portraitist, she created a raucous theatre of photography.

By now, all the children in Lau’s photographs will be almost adult, almost all the dogs, and some of the people, will have passed away. Partnerships and friendships may have fractured, or be still sound, family groups will have morphed, reformed, grown larger or smaller. The photographs of those days in the summer, five years into the 21st century, act as memory and milestone, precise, yet bewildering echoes from the past.

About Grace Lau

Born in London of Chinese parentage, Lau is a photographer, artist, writer and lecturer. She has exhibited widely, including at the National Portrait Gallery and Tate Britain in London, Photofusion London and Aberystwyth Arts Centre, Wales. Her work is included in Seaside: Photographed, Turner Contemporary, Margate, 25 May – 8 September and touring.

In 2005 Lau received an Arts Council England grant to recreate a nineteenth- century Chinese portrait studio in Hastings in which she invited residents and visitors to pose for their portraits, in a reverse situation to that of Victorian photographers in China
during the 1800s. Her project resulted in an archive of contemporary 21st Century Types, published for the first time in Portraits In a Chinese Studio.

Earlier publications by Grace Lau include Adults in Wonderland (1997) and Picturing the Chinese: Early Western Photographs and Postcards of China (2008).

Events

Book signing at Bells Bicycles, Hastings Old Town, April 26, 6-8pm. All welcome.
Book signing at Photographers Gallery, London, 2 May 6-8pm (by invitation).

Grace Lau will be signing books at both launches.
Signed copies will also be available at the Turner Contemporary shop during the Seaside: Photographed exhibition, 25 May – 8 September, 2019.

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